The History of The Marines' Hymn

Following the war with the Barbary Pirates in 1805, when Lieutenant Presely N. O'Bannon and his small force of Marines participated in the capture of Derne and hoisted the American flag for the first time over a fortress of the Old World, the Colors of the Corps was inscribed with the words: "To the Shores of Tripoli." After the Marines participated in the capture and occupation of Mexico City and the Castle of Chapultepec, otherwise known as the "Halls of Montezuma," the words on the Colors were changed to read: "From the Shores of Tripoli to the Halls of Montezuma." Following the close of the Mexican War came the first verse of the Marines' Hymn, written, according to tradition, by a Marine on duty in Mexico. For the sake of euphony, the unknown author transposed the phrases in the motto on the Colors so that the first two lines of the Hymn would read: "From the Halls of Montezuma, to the Shores of Tripoli."

A serious attempt to trace the tune of the Marines' Hymn to its source is revealed in correspondence between Colonel A.S. McLemore, USMC, and Walter F. Smith, second leader of the Marine Band. Colonel McLemore wrote: "Major Richard Wallach, USMC, says that in 1878, when he was in Paris, France, the aria to which the Marines' Hymn is now sung was a very popular one." The name of the opera and a part of the chorus was secured from Major Wallach and forwarded to Mr. Smith, who replied: "Major Wallach is to be congratulated upon a wonderfully accurate musical memory, for the melody of the Marine Hymn is certainly to be found in the opera, 'Genevieve de Brabant'. . .The melody is not in the exact form of the Marine Hymn, but is undoubtedly the tune from which it was taken. I am informed, however, by one of the members of the band, who has a Spanish wife, that the aria was one familiar to her childhood and it may, therefore, be a Spanish folk song."

In a letter to Major Harold F. Wirgman, USMC, John Philip Sousa says: "The melody of the 'Halls of Montezuma' is taken from Offenbach's comic opera, 'Genevieve de Brabant' and is sung by two gendarmes." Most people believe that the aria of the Marines' Hymn was, in fact, taken from "Genevieve de Brabant," an opera-bouffe (a farcical form of opera, generally termed musical comedy) composed by Jacques Offenbach, and presented at the Theatre de Bouffes Parisians, Paris, on 19 November 1859.

Offenbach was born in Cologne, Germany, 21 June 1819 and died 5 October 1880. He studied music from an early age and in 1838 entered the Paris Conservatoire as a student. In 1834, he was admitted as a violoncellist to the "Opera Comique" and soon attained much popularity with Parisian audiences. He became conductor of the Theatre Francais in 1847 and subsequently leased the Theatre Comte, which he reopened as the Bouffes-Parisians. Most of his operas are classified as comic (light and fanciful) and include numerous popular productions, many of which still hold a high place in European and American countries.

Copyright ownership of the Marines' Hymn was vested in the United States Marine Corps per certificate of registration dated 19 August 1891, but it is now in the public domain. In 1929, the Commandant of the Marine Corps authorized the Marines' Hymn as the official version.

In 1929 The Marines' Hymn became the official hymn of the Corps. Thirteen years later on 21 November 1942, the Commandant approved a change in the words of the first verse, fourth line. Because of the increasing use of aircraft in the Corps, the words were changed to "In the air, on land, and sea " which originally was "On the land as on the sea". Ex-Gunnery Sergeant H.L. Tallman, veteran observer in Marine Corps Aviation who participated in many combat missions with Marine Corps Aviation over the Western Front in World War I, first proposed the change at a meeting of the First Marine Aviation Force Veterans Association in Cincinnati, Ohio.

No other changes have been made since that time to The Marines' Hymn. When you have attained absolute perfection, there is no need for further modification.

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